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      <image:title>Music Performance and Community, MUSC 299</image:title>
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      <image:title>Guest Artists - Dashon Burton, October 14</image:title>
      <image:caption>Bass-baritone Dashon Burton has established a vibrant career in opera, recital, and with orchestra.  In key elements of his repertoire  — Bach’s  Passions and the B minor Mass, Mendelssohn’s Elijah, Beethoven 9, the Brahms Requiem, Handel’s Messiah, and Mozart’s Requiem – Dashon is a frequent guest with the major orchestras of the United States, Europe, and Japan. He is also an original member of the groundbreaking vocal ensemble, Roomful of Teeth, with whom he won a Grammy for their recording of Caroline Shaw’s Pulitzer-Prizewinning Partita for 8 Voices. Email: dashonburton@gmail.com</image:caption>
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      <image:title>Guest Artists - Srinivas Reddy, November 4</image:title>
      <image:caption>Srinivas Reddy is a scholar, translator and musician. He studied classical South Asian languages and literatures at UC Berkeley and currently teaches at Brown University and IIT Gandhinagar. Srinivas is also a concert sitarist and spends his time performing, teaching and conducting research around the world. His books include Krishnadevaraya’s Amuktamalyada (Penguin 2010) and Kalidasa’s Meghadutam and Malavikagnimitram, and Raya: Krishnadevaraya of Vijayanagara (Juggernaut 2020).  www.srinivasreddy.org Email: info@srinivasreddy.org</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f048ce00090da3c76b0174b/1600966975501-EN1819XG790GC327VQXW/Jennifer+Zetlan.jpg</image:loc>
      <image:title>Guest Artists - Jennifer Zetlan, October 21</image:title>
      <image:caption>Soprano Jennifer Zetlan is internationally recognized for her artistry and captivating stage presence. She has been seen and heard on opera and concert stages worldwide, as well as on Broadway. The 2019-2020 season included the reprise of her role as Ellen in Ellen West (Ricky Ian Gordon/Frank Bidart) with the Prototype Festival, will reprise the role of Ginsburg in Scalia/Ginsburg (Derrick Wang) with Opera Carolina and Opera Grand Rapids, and she was the cover of Queen Tye in Akhnaten (Glass) with the Metropolitan Opera. In the 2017-1019 seasons, Ms. Zetlan was soprano soloist in Carmina burana with the Kansas City Symphony, Fauré’s Requiem at St. John of the Divine, Ginsburg in Scalia/Ginsburg with Opera Delaware, the title role in Ellen West with Opera Saratoga, as well as the cover of Laura Fleet in the Metropolitan Opera premiere of Marnie. Ms. Zetlan created the title role in Rhoda and the Fossil Hunt (Musto/Einhorn) for On Site Opera, reprised her role in Crossing (Aucoin) with American Repertory Theatre, reprised the role of Fanny in the New York premiere of Ricky Ian Gordon’s Morning Star, and joined the San Francisco Symphony as Xenia in Boris Godunov. On Singing the Title Role in Ricky Ian Gordon’s “Ellen West” Email: jennifer@jenniferzetlan.com</image:caption>
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      <image:title>Guest Artists - Dasha Koltunyuk, October 21</image:title>
      <image:caption>As a pianist, Dasha (Darya) Koltunyuk, has enjoyed performing both as a soloist and a chamber musician throughout the United States, Spain, France, Germany, Holland, and the United Kingdom, while claiming top prizes at national and international competitions. She studies privately with Professor Miyoko Lotto in New York City, after previously attending Manhattan School of Music’s Precollege Division, and the Royal College of Music in London. Having completed a summa cum laude degree in Comparative Literature at Princeton University, focusing on the intersection between music and literature, Dasha continues to extend her love of music beyond performance. This includes launching the Opportunity Music Project chamber music summer camp for low-income NYC children as a winner of the Davis Project for Peace, and establishing Live Music Meditations at Princeton University Concerts as Outreach Manager for the series, shortly after graduation. She continues to be part of the inspiring team at Princeton University Concerts, living in Princeton, NJ with her soulmate Gregg Kallor and their tomato plant, Tobias. Contact: https://www.dashakoltunyuk.com/contact</image:caption>
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      <image:title>Guest Artists - Adrien Finlay, September 9</image:title>
      <image:caption>Adrien Finlay currently serves as Executive Director of Music Worcester, a performing arts presenting organization based in Central Massachusetts, and focuses on enhancing revenue streams and maximizing new CRM systems. Originally from RI, he pursued studies in music and arts management at Harvard University and American University. With a career that was born out of summer positions at music festivals throughout the Northeast, he previously held posts at the Alexandria Symphony (VA) and Glimmerglass Opera (NY). Email: adrien@musicworcester.org</image:caption>
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      <image:title>Guest Artists - James A. Welu, September 23</image:title>
      <image:caption>Named Director Emeritus of the Worcester Art Museum in 2011, James Welu joined the staff of the Museum in 1974 as assistant curator and went on to serve 6 years as chief curator and 25 years as director. He holds a BA from Loras College, an MA and MFA in studio art from the University of Notre Dame, and a PhD in art history from Boston University. A specialist in 17th-century Dutch and Flemish art, Welu has published and lectured widely and organized a variety of exhibitions. He served as president of the Association of Art Museum Directors and chair of the Accreditation Commission of the American Alliance of Museums. Welu remains active in numerous Worcester organizations, serving on the board of Preservation Worcester, Worcester World Affairs Council, and Friends of Institute Park. Welu continues to lecture at the Worcester Art Museum and is a Visiting Professor at the College of the Holy Cross and Worcester Polytechnic Institute. Email: jwelu@holycross.edu</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f048ce00090da3c76b0174b/1600715371349-L79RHN5XIPXI3G3NJE2Y/Elizabeth+LatifaNoor+Anderson.jpg</image:loc>
      <image:title>Guest Artists - Elizabeth Anderson, October 7</image:title>
      <image:caption>Elizabeth LatifaNoor Anderson, cellist of the Cassatt String Quartet has toured with the CSQ in the US, Mexico, China, and Japan. This season they are bringing their love for quartet music to audiences in non-traditional outdoor venues such as the Mohonk Mountain House boat dock and at Campwoods in Ossining NY. They recently collaborated with composer Shirish Korde in a Cinematic Zoom premiere of Noor Inayat Khan’s Aede of the Ocean and Land that included a cast of twenty-two musicians in ten time zones from five countries.  As a founding member of the celebrated Meliora Quartet, Ms. Anderson was a winner of the Naumburg Award and recorded the Mendelssohn Octet for Telarc with the Cleveland Quartet. Her recordings for RCA Red Seal, Telarc and Nonesuch have been highly acclaimed including her release of premier recordings of Luigi Silva's extraordinary transcriptions.  Anderson was formerly a faculty member at the Eastman School of Music, Florida State University, Middlebury College, the Longy School of Music, and the University of North Carolina at Greensboro. Ms. Anderson studied with Jacqueline DuPre, Steven Doane, Paul Katz, YoYo Ma, Wallace Rushkin and Leonard Rose and holds Bachelor of Music degrees from the Juilliard School and California State University at Sacramento and a Master of Music degree from the Eastman School of Music. Elizabeth LatifaNoor leads the Light of Harmony Center in Dobbs Ferry, NY, an interfaith Sufi meditation group. She is a student of North-Indian Classical voice and her CD “Latifa Noor” includes improvisations on cello, voice and tamboura.  http://cdbaby.com/cd/latifa. Email: elizabeth@cassattquartet.com</image:caption>
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      <image:title>Guest Artists - Sandeep Das, November 18</image:title>
      <image:caption>Tabla virtuoso Sandeep Das is one of the few Indian classical musicians to have collaborated with major symphony orchestras, string quartets, and jazz musicians. Das is the founder of HUM (Harmony and Universality through Music), which promotes global understanding through performance and education, and provides learning opportunities and scholarships for young, specially-abled artists to empower them to lead self-reliant lives. Das is trained in the centuries-old Indian tradition of Guru-Shishya Parampara, studying and living with his Guru—Pandit Kishan Maharaj—and learning and practicing music as a way of life, more than just an art form. Sandeep has been an artist in residence at universities including Dartmouth, Brandeis, UC Santa Barbara, Santa Clara University, College of the Holy Cross, Juilliard School, Berklee College of Music, and UC British Columbia.</image:caption>
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      <image:title>Guest Artists - Jan Müller-Szeraws, December 2</image:title>
      <image:caption>Cellist and Artist-in-Residence at the College of the Holy Cross Jan Müller-Szeraws has an active career as a soloist, chamber musician and teacher. Solo performances have included engagements with the New England Philharmonic, Concord Orchestra, Boston Landmarks Orchestra, Moscow Symphony Orchestra, Orquesta Sinfónica de Concepción, Orquesta de la Universidad de Santiago de Chile and Orquesta Sinfónica de Chile with repertoire ranging from concertos from the traditional repertoire such as Haydn, Dvorak, Schumann, Tchaikovsky, Shostakovich to contemporary composers Chou Wen Chung, Gunther Schuller, Bernard Hoffer and John Harbison. Recent projects have been the release of "Anusvara", a disc with music by Shirish Korde for cello, tabla and carnatic soprano, the premiere of "Mutations" for solo cello and computer by Chris Arrell, the premiere and recording of "Suite for Solo Cello" by Thomas Oboe Lee as well as a disc with sonatas by Brahms and Chopin with pianist Adam Golka for Hammond Performing Arts. He has been guest professor at the Universidad Católica de Chile, a guest with the Israeli Chamber Project as well as guest principal cellist for the Bamberg Symphony Orchestra in Germany. He is member of contemporary music ensemble Boston Musica Viva and Boston/Andover based ensemble Mistral. Also on the faculty at Phillips Academy Andover, he is a frequent guest artist at many festivals and is founder and Artistic Director of the Chamber Music Institute at Holy Cross, an intensive summer program for talented high-school and college students. Müller-Szeraws studied at the Musikhochschule Freiburg and holds degrees from Boston University. He plays a cello by David Tecchler, on loan from the Saul and Naomi Cohen Foundation. Email: jmuller@holycross.edu</image:caption>
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      <image:title>Guest Artists - Sari Uricheck, October 28</image:title>
      <image:caption>Sari Uricheck is a consultant for arts and cultural organizations leading research and strategy for business development and operations. She currently works as Project Director for the Cultural Heritage Finance Alliance on portfolio development and stakeholder engagement. To this role, she brings an MBA in sustainable business and twenty years of international work in the museum and heritage sector, with institutions such as the American Museum of Natural History, Metropolitan Museum of Art and the Worcester Museum of Art! Email: sari.uricheck@gmail.com</image:caption>
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      <image:title>Guest Artists - Ariel Davis, November 11</image:title>
      <image:caption>Dedicated to supporting artists and cultural organizers in the design of processes and programs to align with their missions, visions, and values, Ariel Davis is an independent arts consultant and practitioner.  Ms. Davis has spent time working at The Kennedy Center, National Arts Strategies, Washington Performing Arts, The Washington Women in Jazz Festival, and The MusicianShip. Ariel Davis is currently the manager for The String Queens, a trio of women that have performed across the United States at venues including Carnegie Hall and The Kennedy Center. You can find out more about their work here.  Ms. Davis is also a member of the Knowledge and Strategy team for The Lewis Prize for Music, an organization that provides support to music leaders and organizations across the country, has served as a guest speaker for organizations including Georgetown University and Chamber Music America, and has contributed as a grants panelist for the Department of Education, the DC Commission on the Arts and Humanities, the Maryland State Arts Council, the Arts and Humanities Council of Montgomery County, and the Association of Performing Arts Professionals. Ms. Davis’ written work has appeared in the online journal for the International Leadership Association.</image:caption>
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      <image:caption>As the industry rebuilds from the coronavirus pandemic, it must face long-simmering issues of representation.</image:caption>
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      <image:caption>The $500,000 fund comes a year after black students said they had been subjected to racist remarks by employees and patrons at the Museum of Fine Arts.</image:caption>
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      <image:caption>At a moment when many students feel particularly compelled to activism that improves the well-being of Black and Brown people, and are searching for ways to channel that activism into long-term structural change, the McFarland Center offered three special summer opportunities to engage with young alumni who have become leaders in that work. These moderated discussions identify structural barriers that disproportionately affect Black and Brown communities, explore actions that can help to close the racial gap, and help students think about how they can do the same.</image:caption>
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      <image:caption>"The burst of creativity that has swept through town in recent weeks could provide a road map for other cities confronting historical racism."</image:caption>
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      <image:caption>“The field must acknowledge a history of systemic racism while also giving new weight to Black composers, musicians, and listeners.”</image:caption>
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      <image:title>Thought Leadership - What Foundations are Planning - Andrew W. Mellon Foundation: Interview with Susan Feder, program officer for the Arts and Culture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847406849-K0MEB56K6G4CEGRZ4D2J/20140301_Trade-151_0124-copy.jpg</image:loc>
      <image:title>Thought Leadership - What Foundations are Planning - Andrew W. Mellon Foundation: Interview with Susan Feder, program officer for the Arts and Culture</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847406249-J4HYEHES6F6UCY5TVM2A/20140301_Trade-151_0124-copy.jpg</image:loc>
      <image:title>Thought Leadership - What Foundations are Planning - Andrew W. Mellon Foundation: Interview with Susan Feder, program officer for the Arts and Culture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847405591-FZUNRUAT1SR1PVIL5TA8/20140301_Trade-151_0124-copy.jpg</image:loc>
      <image:title>Thought Leadership - What Foundations are Planning - Andrew W. Mellon Foundation: Interview with Susan Feder, program officer for the Arts and Culture</image:title>
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    <image:image>
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      <image:title>Thought Leadership - What Foundations are Planning - Andrew W. Mellon Foundation: Interview with Susan Feder, program officer for the Arts and Culture</image:title>
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  <url>
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    <loc>https://www.siacomposingcommunity.com/thought/doris-duke</loc>
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    <lastmod>2020-08-25</lastmod>
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      <image:title>Thought Leadership - What Foundations are Planning - Doris Duke Charitable Foundation - Make it stand out.</image:title>
      <image:caption>It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847906050-Q37PFW075QZ6YU9179YP/image-asset.jpeg</image:loc>
      <image:title>Thought Leadership - What Foundations are Planning - Doris Duke Charitable Foundation - Make it stand out.</image:title>
      <image:caption>It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847907929-YZFF0BD112Q9PF2G1BK6/image-asset.jpeg</image:loc>
      <image:title>Thought Leadership - What Foundations are Planning - Doris Duke Charitable Foundation - Make it stand out.</image:title>
      <image:caption>It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.siacomposingcommunity.com/thought/ford</loc>
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    <lastmod>2020-08-18</lastmod>
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  <url>
    <loc>https://www.siacomposingcommunity.com/thought/the-map-fund</loc>
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    <lastmod>2020-09-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f048ce00090da3c76b0174b/1600966191646-HEND63JXI03AWZPLKRW8/MAP-Fund-Banner.jpg</image:loc>
      <image:title>Thought Leadership - What Foundations are Planning - The MAP Fund</image:title>
      <image:caption>“MAP serves contemporary artists, of all abilities and backgrounds, whose work presents an intellectual and/or aesthetic challenge to canon and convention and, by extension, to ableist, cis, hetero-normative, white/Western cultural dominance. MAP was founded on the principle that exploration drives human progress, no less in art than in science or medicine, and that society’s capacity to understand and improve complex social and political dynamics is achieved through such inquiry. MAP supports projects that embody this search and is particularly interested in those that question, disrupt, and complicate notions of social and cultural hierarchies.” “The MAP Fund ([formerly] known as the Multi-Arts Production Fund) was established in 1988 by The Rockefeller Foundation to support innovation and cross-cultural exploration in new works of live performance. Among the longest running programs in arts philanthropy, in over 30 years MAP has disbursed more than $30 million to thousands of groundbreaking projects in playwriting, choreography, music composition, interdisciplinary collaboration, and ensemble, site-specific, and community-based performance. MAP-supported works have been undertaken in hundreds of cities across the United States as well as internationally, and by conservative estimates have reached over two million audience members. Over time, the organization has expanded to include new approaches to arts advocacy, including the Scaffolding for Practicing Artists (SPA) program, the Equity in the Panel Room initiative, and multiple research initiatives.”</image:caption>
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    <lastmod>2020-08-24</lastmod>
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    <loc>https://www.siacomposingcommunity.com/interviews-on-the-state-of-the-arts/eric-einhorn-general-and-artistic-director-on-site-media</loc>
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      <image:title>The State of the Arts: 2020-2021 - New Music USA - “In each different context for our work, our focus is on the music; this is what unites everyone engaged with our community. Our newsletters, magazine, radio, and social media channels present a snapshot of that music including artists in their own voice, opportunities for you to apply for support and details of live performances near you.”</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f048ce00090da3c76b0174b/1599595368496-BKGZHVZETXRER0DICCGM/new+music+usa+poster.png</image:loc>
      <image:title>The State of the Arts: 2020-2021 - New Music USA</image:title>
      <image:caption>“New Music USA supports the sounds of tomorrow by nurturing the creation, performance, and appreciation of new music for adventurous listeners around the world.”</image:caption>
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    <loc>https://www.siacomposingcommunity.com/state-of-the-arts/globalartslive</loc>
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      <image:title>The State of the Arts: 2020-2021 - Global Arts Live - Their Missions &amp; Message</image:title>
      <image:caption>“Global Arts Live brings the best international music, contemporary dance, and jazz from around the world to stages across Greater Boston. By putting the spotlight on artistic excellence from all corners of the globe and reflecting the diverse and vibrant community that is Boston, we aspire to transcend borders, cultivate community, and enrich lives.” https://www.globalartslive.org/content/mission-message</image:caption>
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    <loc>https://www.siacomposingcommunity.com/state-of-the-arts/umassamherst</loc>
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    <lastmod>2020-09-08</lastmod>
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      <image:title>The State of the Arts: 2020-2021 - UMASS Amherst Fine Arts Center</image:title>
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    <loc>https://www.siacomposingcommunity.com/state-of-the-arts/baruch</loc>
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    <lastmod>2020-09-08</lastmod>
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      <image:title>The State of the Arts: 2020-2021 - Baruch Performing Arts Center, CUNY</image:title>
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      <image:title>The State of the Arts: 2020-2021 - Baruch Performing Arts Center, CUNY</image:title>
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    <loc>https://www.siacomposingcommunity.com/state-of-the-arts/lincolncenter</loc>
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    <lastmod>2020-09-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f048ce00090da3c76b0174b/1599580340015-AJKKMH5ZGCVPS7S6AAZ1/lincoln+center+2.jpg</image:loc>
      <image:title>The State of the Arts: 2020-2021 - Lincoln Center for the Performing Arts</image:title>
      <image:caption>“While practicing social distancing, you can still maintain your vital connection to the live performing arts at Lincoln Center. On Lincoln Center at Home, we will host daily pop-up classrooms for families and regularly share videos of performances—archival, home-made, documentary, or previously broadcast—by our organizations across the campus. Lincoln Center world-class artists, on your screens at home.</image:caption>
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    <lastmod>2020-09-08</lastmod>
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      <image:title>The State of the Arts: 2020-2021 - Musical America</image:title>
      <image:caption>Musical America Issue from 1912</image:caption>
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      <image:title>The State of the Arts: 2020-2021 - Musical America</image:title>
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    <loc>https://www.siacomposingcommunity.com/state-of-the-arts/nyt</loc>
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    <lastmod>2020-09-08</lastmod>
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    <loc>https://www.siacomposingcommunity.com/state-of-the-arts/worcester-cultural-coalition-events</loc>
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    <lastmod>2020-09-10</lastmod>
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      <image:title>The State of the Arts: 2020-2021 - Worcester Cultural Coalition Events</image:title>
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  <url>
    <loc>https://www.siacomposingcommunity.com/state-of-the-arts/ade-of-the-ocean-and-land</loc>
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    <lastmod>2020-09-13</lastmod>
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      <image:title>The State of the Arts: 2020-2021 - Aède of the Ocean and Land</image:title>
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    <loc>https://www.siacomposingcommunity.com/state-of-the-arts/unscripted-series-musical-america</loc>
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      <image:title>The State of the Arts: 2020-2021 - Unscripted Series- Musical America</image:title>
      <image:caption>“Unscripted is a series of short casual video conversations with interesting figures in the performing arts industry. We get into everything from their guilty pleasures to important advice. Scroll down to see the rest of our terrific interviews.”</image:caption>
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